Entertainment
Pee-Wee Herman Actor Paul Reubens Dies at Age 70

Paul Reubens, the actor and comedian whose character Pee-wee Herman — an overgrown toddler with a tight grey suit and an iconic laugh — became a 1980s pop cultural sensation, died at the age of 70.
Reubens, whose character delighted viewers in the films “Pee-wee’s Big Adventure” and “Pee-wee’s Playhouse,” died Sunday night following a six-year battle with cancer that he kept hidden, according to his publicist.
“Please accept my apologies for not going public with what I’ve been going through for the last six years,” Reubens said in a statement issued Monday along with his death announcement. “I’ve always received a lot of love and respect from my friends, fans, and supporters.” I adored you all and had a great time creating art for you.”
Pee-wee with his white bulky loafers and red bow tie, created for the stage, would become a cultural constant in both adult and children’s entertainment for most of the 1980s, though an indecent exposure arrest in 1991 would put the figure into entertainment exile for years.
The staccato giggle that punctuated every utterance, catch phrases like ‘I know you are, but what am I’, and a tabletop dance to the Champs’ song ‘Tequila’ in a biker bar in ‘Pee-wee’s Big Adventure’ were frequently reproduced by fans, much to the delight of some and much to the chagrin of others.
In the late 1970s, Reubens was a member of the Los Angeles improv group The Groundlings, where he invented Pee-wee. The live “Pee-wee Herman Show” premiered in a Los Angeles theatre in 1981 and was a hit with both youngsters and adults at matinees.
The format was similar to that of the Saturday morning TV show “Pee-wee’s Playhouse” years later, with Herman living in a wild and zany household with a series of stock-character visitors, including one, Captain Karl, performed by late “Saturday Night Live” star Phil Hartman.
HBO would screen the show as a special.
Reubens brought Pee-wee to the big screen in 1985 with “Pee-wee’s Big Adventure,” which takes the character on a statewide adventure. The film, which depicts the theft of Pee-wee’s prized bicycle, was believed to be partially inspired on Vittorio De Sica’s Italian neo-realist masterpiece “The Bicycle Thief.” The film was a blockbuster, grossing $40 million and spawning a cult following for its eccentric whimsy. It was directed by Tim Burton and co-written by Hartman.
Three years later, in the less well-received “Big Top Pee-wee,” Pee-wee attempts to join a circus. Reubens’ character would not appear in another film until 2016’s “Pee-wee’s Big Holiday,” for Netflix. Judd Apatow produced Pee-wee’s big-screen comeback.
His television show, “Pee-wee’s Playhouse,” ran for five seasons, won 22 Emmys, and drew not just children but also adults to Saturday morning television.
“Paul Reubens was like no one else — a brilliant and original comedian who made kids and their parents laugh at the same time,” Jimmy Kimmel said on Instagram. He never missed a birthday and shared his genuine joy in fun with everyone he met.”
The Pee-wee universe was a hallucinogenic place, populated by objects like a talking armchair and a friendly pterodactyl. It was both amusing and subversive, celebrating nonconformity.
Guillermo del Toro, who directed the film, tweeted on Monday that Reubens was “one of the patron saints of all misfitted, weird, maladjusted, wonderful, miraculous oddities.”
Even though Reubens claims that wasn’t the intention, the performance was a hit because it worked on numerous levels.
“It’s for kids,” Reubens explained to The Associated Press in 2010. “For years, people have attempted to convince me that ‘it wasn’t really for kids, right?’ Even the original show catered to children. I was always censoring myself to make it kid-friendly.
“The whole thing has just been a gut feeling from the beginning,” Reubens told the Associated Press. “That’s all it’s ever been, and I believe it always will be.” I can’t deconstruct and explain it as much as others want me to. One, I don’t know, two, I don’t want to know, and three, I’m afraid I’ll curse myself if I find out.”
Reubens’ career was ruined when he was arrested for indecent exposure in an adult movie theatre in his hometown of Sarasota, Florida. He received a tiny fine, but the cost was incalculable. He became the target of late-night talk show jokes, and Reubens’ image altered overnight.
“It was really intense when I realised my name was going to be mentioned in the same sentence as children and sex,” Reubens told NBC in 2004. “I knew from that moment on that whatever happens after that point, something really bad is out there in the air.”
Reubens said he received numerous job offers, but most of them wanted to take “advantage of the luridness of my situation,” and he refused.
“It just changed,” he explained. “Everything has changed.”
He did, however, take advantage of one opportunity to make fun of his tarnished reputation. Just a few weeks after his imprisonment, he opened the MTV Video Music Awards by stepping on stage alone and stating, “Heard any good jokes lately?” (Herman’s MTV appearances boosted Pee-wee’s prominence in the early 1980s.)
After authorities acquired photographs from his computer and camera collection in 2001, Reubens was arrested and charged with misdemeanour possession of child pornography, but the charge was reduced to obscenity and he was sentenced to three years probation.
Born Paul Rubenfeld in Peekskill, New York, in 1952, he grew up in Sarasota, Florida, where his parents had a lamp store and he put on comedy events for neighbourhood kids.
He wanted to study acting after high school. He attended Boston University for a year before being rejected by the Juilliard School and Carnegie-Mellon University. As a result, he enrolled at California Institute of the Arts. This would lead to appearances at local comedy clubs and theatres, as well as membership in the Groundlings.
“Paul’s contributions to comedy and entertainment have left a lasting impact on the world,” the Groundlings stated in a statement.
Following his imprisonment in 1991, he spent the next decade mostly portraying non-Pee-wee characters, including roles in Tim Burton’s 1992 film “Batman Returns,” the “Buffy the Vampire Slayer” film, and a guest-star stint on the TV show “Murphy Brown.”
He was also in the 1999 comedy “Mystery Men” and Johnny Depp’s 2001 drug-dealer drama “Blow.”
Reubens, who never lost his childlike appearance even in his 60s, gradually reintroduced Pee-wee, eventually doing a Broadway rendition of “The Pee-wee Herman Show” in 2010, and the Netflix film in 2016.
Reubens was well-liked by his fellow comedians, and Pee-wee’s fans were widespread.
“His surreal comedy and unrelenting kindness were a gift to us all,” Conan O’Brien said in a tweet. “Damn, this hurts.”
Entertainment
Reports of a Split Contract Point to Taylor Swift and Her Fiancé Travis Kelce’s Matching.

(VOR News) – One of the ways that Taylor Swift showed her support for her boyfriend was by going to a football game that Travis Kelce was playing in while wearing a magnificent plaid suit that matched the outfit that he was wearing.
When this was done, it was done with the aim of making it happen, despite the fact that there were rumors going around about a split contract between the two of them.
The guy, who was 34 years old at the time, made a stunning entrance at Arrowhead Stadium while wearing a magnificent gray and black Taylor Swift checkered suit that was designed by Vivienne Westwood, who was also the designer of the costume.
She donned Taylor Swift clothing to show her support for Travis and the Chiefs.
Furthermore, they had arrived at the stadium earlier that day wearing Taylor Swift’s plaid shirt and jeans that were extremely similar to Kelce’s, which served as the basis for their synchronized costumes. This foundation was the foundation for their coordinated costumes. When Kelce arrived at the stadium, he was still wearing the same shirt and jeans that he had worn earlier.
Furthermore, Taylor greeted the occasion with a good attitude by matching her dress with a magnificent purse in the shape of a heart that she held on her wrist. This was yet another way that she showed her appreciation for the event. This item was a component of her ensemble.
It was stated by the Daily Mail that she made her return with this appearance, despite the fact that she had been absent from the two Chiefs games that came before it owing to her obligations to the Eras Tour. The fact that she had not been present for either of those games did not prevent her from accomplishing this.
“Now you all can shut the heck up about that bulls**t ‘breakup contract,'” a fan wrote on X in connection to this matter to express their opinion on the matter. “Now you can stop talking about anything.” “Now y’all can stop the hell up about that…”
It was a different fan who was the one who broke the news at this time period.
The statement reads, “BREAKING: Travis Kelce has reached a long-term extension with Taylor Swift.”
Following an extensive amount of deliberation and debate, the two parties have reached consensus on a deal that will be in place for the subsequent three years.
Providing that Travis continues to be advantageous for Taylor Swift’s company, the rules of the agreement indicate that Taylor Swift has the authority to renew the deal in the event that Travis continues to be useful. In the event that Travis is the one who is accountable for doing the dishes, there is a possibility that he may be awarded a bonus of some kind.
Swift and Kelce’s followers were able to let out a sigh of relief when it was discovered that a “contract” that had been reported to have been leaked and disclosed the exact date of Swift and Kelce’s separation was found to be nothing more than a fabrication.
This information was obtained from the source. It had been anticipated that the “contract” would have been made available.
In addition, it is worth noting that when the publication that stated that the couple had made the decision to end their relationship a month ago began to circulate on the internet, representatives for Travis were obligated to reject the charges.
SOURCE: GN
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Entertainment
‘Joker 2’ Tops the International Box Office with $81.1 Million.

(VOR News) – It is projected that “Joker: Folie à Deux” made its debut this weekend with an estimated total of $81.1 million.
This would make it the most successful film at the box office around the world and the most profitable film overall from a financial standpoint. The picture, which is a sequel to the 2019 blockbuster smash “Joker,” only made $40 million in the United States of America, which is a pitiful amount of money.
The film is a sequel to the 2019 mega hit. In the year 2019, the trailer for the movie was made available. The cinematic adaptation of the peculiar comic book has generated an astonishing sum of $121.1 million in revenue all over the world. This is a result of the film’s success.
Considering that the production of “Joker: Folie à Deux” took place at an incredible cost of two hundred million dollars, Warner Bros., the corporation that provided the finance for the picture, is currently confronted with a dilemma as a result of this fact.
The second “Joker” cost $65 million, compared to $75 million for the original.
This is a substantial difference in terms of the budget. The movie has been given a terrible “D” CinemaScore since the majority of the reviews that have been published about the film have been unfavorable, and audiences appear to agree with the reviewers. As a result of this, the movie has been given a terrible “D” CinemaScore.
Lady Gaga, who is responsible for putting her own distinctive twist on Harley Quinn, a favorite character from the comics, is responsible for a significant portion of the additional expense.
Phillips, Joaquin Phoenix, who reprises his role as the unstable comedian Arthur Fleck, and Lady Gaga are all responsible for a significant portion of the increased budget. There is a large portion of the additional costs that are linked with the production of the picture that may be attributed to these payments.
There were a total of 25,788 theaters and 76 markets outside of the United States that showed the movie. In order to act as screening locations, these locations were selected.
The fact that “Joker: Folie à Deux” made $8 million in the United Kingdom, $6.9 million in Germany, $5.6 million in Italy, $5.5 million in Mexico, and $5 million in France is a fascinating piece of information to take into consideration. Furthermore, the film made $5 million in France.
Only a few examples of what has been accomplished are presented here, but they are representative of the many different results that have been obtained. One week after the film will be released in Japan on the same day, it will make its debut in China on October 16th. This will be one week after the film is released in Japan.
Japan will also release the Joker movie to the public on that same day.
After grossing $335 million in the United States, the first “Joker” film grossed $743 million in other nations across the world. This is despite the fact that the film was only released in the United States.
In addition to generating a large amount of revenue, the movie was a smash hit that was incredibly well received by audiences. The film “Deadpool & Wolverine” broke the record for the highest-grossing R-rated film when it grossed $1.32 billion worldwide.
This achievement was accomplished by the film. The film was successful in accomplishing this specific goal. During a particular period of time, the film was the one that achieved the distinction of being the highest-grossing R-rated film movie.
Before “Joker 2” caused a breach between audiences and critics, Phillips announced that he had ended his career as a director of films based on comic books. At the end of the day, “Joker 2” was not successful. By the time this took place, the film had not yet been responsible for causing the rift.
“It was fun to play in this sort of sandbox for two movies, but I think we’ve said what we wanted to say in this world,” he said in an interview with Variety in the month of August. “It was a lot of fun.” “It was a lot of fun.” “It was a lot of fun.”
SOURCE: VN
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Reviews of Silent Hill 2 Provide a Higher-Than-Expected Metacritical Score.
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Entertainment
Reviews of Silent Hill 2 Provide a Higher-Than-Expected Metacritical Score.

(VOR News) – The Bloober Team and Konami-produced remake of the horror game Silent Hill 2 is scheduled to launch the following week, but reviews have already started to surface, giving players a sneak peek at the updated version of the game before it is made available to the public.
It would be an understatement to say that Bloober Team was under a great deal of pressure to get the game right, especially considering that the survival-horror genre’s enthusiasts regard Silent Hill almost as highly as Resident Evil.
Considering the Metacritic score that the game has received thus far, Silent Hill 2 players shouldn’t have any worries when the game launches on November 8
. This is due to the score, which shows that the game has only ever earned favorable reviews up to this point. Fans of the Bloober Team and Silent Hill will be happy to hear this news.
Silent Hill 2 currently has an 87 Metacritic rating.
In 50 reviews, the PlayStation 5 version received a score of 87, meaning that it also received an 87 on that platform. This is based on the fact that the score was given to the PlayStation 5 version. The Silent Hill 2 personal computer version received an overall rating of 88 out of 5, placing it somewhat higher than the PlayStation 5 version.
There isn’t an Xbox version of Silent Hill 2 that can be regarded as existing because it wasn’t part of the Xbox Series X|S. There isn’t any information available at this time on whether or not it will ever be made accessible on that specific platform.
A considerable portion of Silent Hill fans had not in the slightest expected that Silent Hill 2 would achieve five flawless scores of one hundred before these reviews were published. It is extremely unlikely that they expected anything at all. Actually, the great majority of reviews are favorable.
They also call it a welcome return to form for the Silent Hill brand, complimenting the Bloober Team for their appreciation for the first Silent Hill 2. Furthermore, they believe it to be the ideal starting point for beginners who have never really experienced Silent Hill before.
Due of this, Silent Hill 2 has few Metacritic reviews, both positive and negative.
No bad reviews have been posted. Some people think that the remake may have retained some of the most annoying and constrictive elements of the original Silent Hill 2 by staying too close to the original. These individuals believe that there might have been some issues brought on by the remake.
Thankfully for those of us who are now playing Silent Hill 2, those reviews are the exception rather than the rule, with the vast majority of positive reviews making up the small amount of negative reviews.
It is true that some people became skeptical about the remake because the Bloober Team was in charge of it. Furthermore, in the perspective of both its own series and the genre at large, Silent Hill 2 has been held in the highest regard ever since it was first made accessible to the general public.
Games like Layers of Fear, The Medium, and the Blair Witch game were all made by the Bloober Team; nevertheless, no matter which game was reviewed, none of these titles received particularly high review scores. With the release of Silent Hill 2, it’s possible that the public’s perception of the Bloober Team may undergo a significant shift.
Additionally, we are now writing our own review of Silent Hill 2.
Although it has taken longer than expected because we acquired our review copy after the game was already in progress.
However, even though more reviews are being received, it is highly doubtful that these would significantly lower Silent Hill 2’s Metacritic score. despite the fact that more reviews are coming in. Players of Silent Hill 2 should have a lot to look forward to in the upcoming week as a result of this.
SOURCE: CB
SEE ALSO:
Maya Rudolph As Harris And Dana Carvey As Biden Open The 50th Season Of ‘Saturday Night Live’
In “The Electric State,” Millie Bobby Brown and Chris Pratt Battle Robots.
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